Waiting for Godot

By Samuel Beckett
Directed by John Ribovich

May 2nd to 26th, 2002
 

Moving, funny, grotesquely beautiful and utterly absorbing - a brilliant, bitter comedy - a portrait of the dogged resilience of man's spirit in the face of little hope.  Two dilapidated bums fill their days as painlessly as they can, waiting for Godot, a personage who will explain their interminable insignificance, or put an end to it.  They are resourceful, yet dependent on each other, as children are.  A classic of the modern - often quoted, rarely seen.
Check out the press release

 

Peter Schmuckal (left) as Estragon and
Ron Evans as Vladimir in
Waiting For Godot


 

Waiting for Godot


by Samuel Beckett

Directed by John Ribovich

May 2 to 26, 2002

Cast


Ron Evans* - Vladimir

Peter Schmuckal - Estragon

Mark Rafael Truitt* - Pozzo

Bill Olson - Lucky

Melbourne Favour - Boy

*Appearing courtesy of Actors' Equity Association

Cast Bios

Production Staff


Stage Manager - Garrett Johnson

Lighting Design - Nam Nguyen

Set Design - Peter-Tolin Baker

Costumes - Rebecca Eagleson

Technical Director - Russ Milligan

Graphic Design - Michael Bentley

Set Construction - Ffaelan

House Manager - Erika Harvey

Photography - Linda Svendsen

Casting Director - Greg Hubbard

Sound Operator - Nicholas Johnson

Director's notes


Waiting for Godot, which seems so random and absurd at times, is as tightly written as anything in Shakespeare and far more resistant to reinterpretation. Every pause, every silence, every movement was choreographed by the playwright, who was determined to exercise control over every aspect of production. (To this day you cannot get permission to perform Godot without assuring, in writing, that all of the roles will be played by males.) And yet as theatre artists, whose work is fundamentally interpretive, we feel the need to see the play anew, and make it our own. For us, then, "A country road, a tree," becomes a deserted alley with a newly planted sapling. Our famous clowns keep their bowlers, but dress like homeless vaudevillians. Beckett, no doubt, would turn in his grave at the changes. But that's the point: Beckett is in his grave and we are not.

Nothing to be done.

John Ribovich

 

 

             
   
                           

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Last modified: July 04, 2002

 

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